Infrared photography is about seeing light differently—beyond what the human eye can normally perceive. In my practice, I work with a modified camera that picks up infrared light, which sits just past the visible spectrum. The result isn’t just a technical shift, but a poetic one. Trees glow, skies darken, and familiar landscapes take on an otherworldly quality. It’s not just about capturing what’s there—it's about revealing what’s usually hidden, and offering the viewer a chance to see the world in a more dreamlike, reflective way.
I create a custom white balance each time I go out to shoot, which helps maintain a kind of visual consistency across this evolving body of work. Some call infrared images eerie, others call them peaceful or surreal—but for me, they’re about mood. I’m drawn to subjects like clouds, trees, and quiet landforms where contrast and texture come alive under infrared light. This isn’t about special effects—it’s about using a unique form of light to express atmosphere, stillness, and the unseen beauty around us.
